Vermont Public Community Calendar

Brooklyn Rider returns to Spruce Peak Arts!

With a repertoire that spans classical masterpieces, contemporary compositions, and genre-defying collaborations, Brooklyn Rider, the innovative string quartet known for their adventurous spirit and captivating performances, redefines the boundaries of chamber music. Their dynamic approach and technical prowess promise an electrifying concert experience that resonates with audiences of all musical tastes.

The ensemble dazzles with a repertoire of timeless classics.

Filippo Ciabatti, director

Handel's gripping dramatic oratorio resonates through the fingertips of a leading Baroque ensemble and the voices of the Clarion Choir.

The English Concert returns under the direction of Harry Bicket with Handel's Hercules—a rarely performed oratorio that blends the grandeur of myth with the intimacy of human emotion.

Part opera, part tragedy, "Hercules" tells the story of a hero's return home and the unraveling that follows, moving from fiery arias to aching laments and capturing a volatile mix of emotions.

Known for their clarity and precision, The English Concert will be joined by the critically acclaimed Clarion Choir—praised for their radiant blend of sound—and their founder, the visionary conductor and Juilliard-trained Steven Fox '00, as well as a cast of renowned soloists to bring this dramatic work to life.

Join us for a pre-show talk.

This new production of Wagner's classic is an unmissable event, with soprano Lise Davidsen and tenor Michael Spyres as the titular star-crossed lovers.

After years of anticipation, the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner's transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon, hailed by "The New York Times" as "the most visionary opera director of his generation."

Mezzo soprano Ekaterina Gubanova reprises her portrayal of Isolde's maid Brangäne, alongside bass-baritone Tomasz Konieczny as Tristan's friend Kurwenal and bass-baritone Ryan Speedo Green as Tristan's uncle, King Marke, whose betrothal to Isolde sets up one of opera's most intense love triangles. Music Director Yannick Nézet-Séguin conducts his first Met production of this Wagner classic.

Late works by Beethoven, Schumann and Brahms.

In this program, Pinkas explores the later fruits of three magnificent composers. Beethoven's Sonata Op. 110, Schumann's Gesänge der Frühe and Brahms Intermezzi Op. 118 are distillations of wisdom, experience, joy and perhaps sorrow: a celebration of a rich life lived in music.

Violinist Laurie Smukler returns with New York City colleagues — violist Tal First, cellist Natasha Brofsky, and pianist Qing Jiang — for an all-Fauré evening. The program includes two chamber music masterpieces-both Piano Quartets, the radiant Violin Sonata No. 1 in A major, and the brilliant Fantaisie for flute and piano with flutist Karen Kevra.

Violinist Laurie Smukler returns with New York City colleagues — violist Tal First, cellist Natasha Brofsky, and pianist Qing Jiang — for an all-Fauré evening. The program includes two chamber music masterpieces-both Piano Quartets, the radiant Violin Sonata No. 1 in A major, and the brilliant Fantaisie for flute and piano with flutist Karen Kevra.

Applauded for his mastery of all styles of playing, Bowles, a Steinway Hall of Fame Artist, will treat us to a wide-ranging program.

Domenico Scarlatti — Three Sonatas
Franz Schubert — Impromptus, Op. posth. 142, D.935
Max Reger — Five Humoreskes for Piano, Op. 20
Franz Liszt — Venezia e Napoli, S.159

Celebrate America's 250th anniversary with an evening of powerful music.

To mark the occasion, the acclaimed Dover Quartet brings their signature blend of brilliance and heart to a program that reflects the complexity, spirit and evolving soundscape of America. Renowned for their glowing sound, the Dover Quartet has emerged as one of the most compelling chamber ensembles of their generation.

The evening features "Strum" by Jessie Montgomery and "Rattle Songs", an arrangement of traditional songs by Pura Fé, newly reimagined for string quartet by composer Jerod Tate. Tate's voice returns in a compelling new commission—music that speaks to Native identity, memory and continuity. The program culminates in Dvořák's "American" Quartet, written during the Czech composer's stay in the US in 1893. Infused with echoes of spirituals and folk songs, the program is a luminous reflection on the idea of America.

Don't miss a pre-show talk with the artists.

The two choirs join forces to present Mendelssohn's 'Elijah'—a sweeping oratorio that delves into faith, doubt and resilience through stirring choruses and deeply human storytelling.

Filippo Ciabatti, director

Baritone Igor Golovatenko stars as the title character opposite soprano Asmik Grigorian in Tchaikovsky's lyrical Pushkin adaptation.

Following her acclaimed 2024 Met debut in Puccini's "Madama Butterfly," soprano Asmik Grigorian stars as Tatiana, the lovestruck young heroine in this ardent operatic Pushkin adaptation. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late.

Stephanie Blythe sings the role of Tatiana's nurse, with mezzo-soprano Maria Barakova playing Tatiana's sister Olga and baritone Satnislas de Barbeyrac portraying the ill-fated poet Lenski. The Met's evocative production set in nineteenth-century Russia, directed by Tony Award–winner Deborah Warner, "offers a beautifully detailed reading of … Tchaikovsky's lyrical romance" ("The Telegraph"). Timur Zangiev conducts.

A solo piano recital that bridges centuries and sensibilities.

Francesco Libetta, the Italian pianist and composer hailed for his poetic virtuosity, presents a mesmerizing exploration of music across time. In this singular recital, he juxtaposes a selection of Leopold Godowsky's famously intricate reimaginings of Chopin's Études with the original pieces. He performs on both a French 19th-century piano and a modern Steinway, drawing out the shifting voices of the instrument through history. The result is a revelatory dialogue between past and present.

The iconic work gets new wings in a mystical and technologically transformed experience uniting dance and orchestra.

Filippo Ciabatti, DSO director
John Heginbotham, DDE director

Famous for its rich rhythms, Russian folkloric melodies and dissonant strains, Stravinsky's 1910 work for the Ballet Russes broke boundaries. Now, two Hop Ensembles collaborate to reimagine the tale of rebirth as a pair of simulcast performances. The Dartmouth Symphony Orchestra will perform the entire "Firebird" in Spaulding Auditorium, enriched by a live projection of choreography by the Dartmouth Dance Ensemble. At the same moment (and on the other side of the Hop) audiences will be immersed in the reworked dance, accompanied in real-time by the dynamic orchestral score.

The iconic work gets new wings in a mystical and technologically transformed experience uniting dance and orchestra.

Filippo Ciabatti, DSO director
John Heginbotham, DDE director

Famous for its rich rhythms, Russian folkloric melodies and dissonant strains, Stravinsky's 1910 work for the Ballet Russes broke boundaries. Now, two Hop Ensembles collaborate to reimagine the tale of rebirth as a pair of simulcast performances. The Dartmouth Symphony Orchestra will perform the entire "Firebird" in Spaulding Auditorium, enriched by a live projection of choreography by the Dartmouth Dance Ensemble. At the same moment (and on the other side of the Hop) audiences will be immersed in the reworked dance, accompanied in real-time by the dynamic orchestral score.

The choral singers round out the year with an uplifting performance.

Filippo Ciabatti, director

The program features works by long-time collaborators and composers Juan Pablo Contreras and Nubia Jaime Donjuan.

Brian Messier, director

Join us for an unforgettable evening featuring Danzón No. 3 "The Lone Pine" by Donjuan and a new piece by Latin Grammy-nominated Contreras—both commissioned by the Hop and performed for the very first time.

Part of the Mexican Repertoire Initiative—a Hop initiative to create, support and expand the reach of new repertoire by Mexican composer.

This vibrant Met premiere of Gabriela Lena Frank's magical-realist opera about Frida Kahlo and Diego Rivera features a stunning libretto by playwright Nilo Cruz.

Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida Kahlo, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego Rivera, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Countertenor Nils Wanderer as a young actor trapped in the underworld and soprano Gabriella Reyes as the Keeper of the Dead round out the cast.

The vibrant new production, taking enthusiastic inspiration from Frida and Diego's paintings, is directed and choreographed by Deborah Colker. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank's opera, a "confident, richly imagined score" (The New Yorker) that "bursts with color and fresh individuality" (Los Angeles Times).