Mar 10 Tuesday
Handel's gripping dramatic oratorio resonates through the fingertips of a leading Baroque ensemble and the voices of the Clarion Choir.
The English Concert returns under the direction of Harry Bicket with Handel's Hercules—a rarely performed oratorio that blends the grandeur of myth with the intimacy of human emotion.
Part opera, part tragedy, "Hercules" tells the story of a hero's return home and the unraveling that follows, moving from fiery arias to aching laments and capturing a volatile mix of emotions.
Known for their clarity and precision, The English Concert will be joined by the critically acclaimed Clarion Choir—praised for their radiant blend of sound—and their founder, the visionary conductor and Juilliard-trained Steven Fox '00, as well as a cast of renowned soloists to bring this dramatic work to life.
Join us for a pre-show talk.
Mar 12 Thursday
PALS for Life welcomes anyone who has been affected by breast cancer, with a doctor referral and physical therapy consult after 6-8 weeks post radiation and chemotherapy.
• FREE UVAC Membership with full use of the facilities and equipment• FREE land and aquatic fitness classes• Camaraderie, personalized attention• Lymphedema Seminar and nutritional information provided by staff from Dartmouth Hitchcock Medical Center• Motivation and coaching provided by ACSM CancerSpecialists
Tuesday & Thursday, January 13 – April 2 @ 10:00 am.
Mar 17 Tuesday
Mar 19 Thursday
Mar 22 Sunday
This new production of Wagner's classic is an unmissable event, with soprano Lise Davidsen and tenor Michael Spyres as the titular star-crossed lovers.
After years of anticipation, the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner's transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon, hailed by "The New York Times" as "the most visionary opera director of his generation."
Mezzo soprano Ekaterina Gubanova reprises her portrayal of Isolde's maid Brangäne, alongside bass-baritone Tomasz Konieczny as Tristan's friend Kurwenal and bass-baritone Ryan Speedo Green as Tristan's uncle, King Marke, whose betrothal to Isolde sets up one of opera's most intense love triangles. Music Director Yannick Nézet-Séguin conducts his first Met production of this Wagner classic.
Mar 24 Tuesday
Mar 25 Wednesday
THE CHILDRENby LUCY KIRKWOODdirected by SARAH ELIZABETH WANSLEYMARCH 25 - APRIL 12, 2026
In a remote cottage on the lonely British coast, two retired nuclear scientists have settled into a peaceful existence. Outside, the world is unraveling in the aftermath of a devastating nuclear disaster. When an old friend arrives with an unsettling proposal, they must confront the choices of their past and the moral dilemmas of their future. A gripping, suspenseful drama that The New York Times calls “bristling with chills,” The Children is an urgent and haunting exploration of environmental responsibility, legacy, and the price of survival.
Mar 26 Thursday
Mar 27 Friday
Mar 28 Saturday
Mar 31 Tuesday
Apr 01 Wednesday
Apr 02 Thursday
A meta-theatrical play that explores how we might move through history together in the aftermath of slavery.
Onstage is a two-story house. From one angle, it's mucked out after a flood. From another, it's a new development wrapped in Tyvek. And from another, it's "Tara" from "Gone with the Wind" being transformed into an Airbnb. The piano can't be tuned. Someone is quilting in the corner. Come in.
The work was co-directed by Zhailon Levingston and Tony award-winning Rachel Chavkin, best known for directing the Broadway hits "Hadestown" and "Natasha, Pierre & The Great Comet of 1812". In 2019, she was the only woman directing a musical on Broadway. This spirit of groundbreaking collaboration extended to the writing process, which was led by a collective of 21 Black-, POC-, and white-identifying artists ranging in age from 28 through 98.
Propelled by a quilt-like score, the work slips between fact and fiction, performance and ritual, process and product, to tell a story of historical figures and fictional characters seeking and fleeing intimacy—and how these theater artists are doing the same.
Apr 03 Friday