2025 Vermont Public | PRIVACY

TEXT TEXT TEXT
NEWLINE
LINK
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

It’s more than the wind: The power, greed and racism behind the L.A. fires

Los Angeles native Shelley Bruce joins Myra Flynn as they discuss the devastating impact of the recent fires in L.A., particularly the Eaton fire that has destroyed so many homes and businesses, including many in the historically Black suburb of Los Angeles, Altadena. Together they discuss the systemic issues that have led to the fire’s disproportionate impact on marginalized communities.

This is the latest episode of Homegoings, a podcast that features fearless conversations about race, and YOU are welcome here. Follow the series here.

Loading...

Sign up for the Homegoings email newsletter for updates on new episodes, events and more. Sent every other week on Fridays.

* indicates required

From Myra Flynn:

We all know that the Santa Ana winds of climate change blew harder than ever on Jan. 7, but when it comes to Altadena, the small suburb of Los Angeles, nestled up against the backdrop of the hulking San Gabrielle mountains — something else was in the air.

So, I did it. I took my little press pass to the guy with the gun-as-big-as-my-body and asked if I could walk about a mile up Lake Avenue just above Woodbury, to snap some pictures and take a little video of the town I’d neighbored since 2017. He let me through, on foot, and before I began my walk I asked him, “Is it really as bad as what they keep showing ad nauseum on the news?” He said he didn’t know. Even he hadn’t made it up that far.

The Santa Ana winds blew the Eaton fire through the community of Altadena, a small suburb of Los Angeles.
Photo: Myra Flynn
/
Vermont Public
The Santa Ana winds blew the Eaton fire through the community of Altadena, a small suburb of Los Angeles.

I guess I didn’t expect so much glass – shattered glass just coating the streets from the blowouts of windows in homes and cars. The smell is almost unrecognizable, like burnt groceries mixed with engine fuel and charcoaled leather. And the things left standing, seem bizarrely staged there. Like the slide at my daughter’s school – just perfectly intact in a sea of melted turf and tar.

Over 12,300 structures were destroyed by the LA fires.
Photo: Myra Flynn
/
Vermont Public
Over 12,300 structures were destroyed by the LA fires.

The death here is palpable, of people, of homes, of that little wine shop that had the best happy hour, and the African store with dishekes that fit just right. There’s this sign, someone wore a mask long enough to put up, that says: Altadena strong, we will rebuild!

Who? Who will rebuild? Who exactly will be rebuilding this town financially? Physically? and how will they breathe? There’s no air here.

Smoke continues to hang in the air over the San Gabrielle mountains.
Photo: Myra Flynn
/
Vermont Public
Smoke continues to hang in the air over the San Gabriel mountains.

This little town has long been a home for Black families who migrated west in the 1960s and ‘70s, as red-lining laws had previously prevented them from purchasing homes elsewhere in the state of California. It’s unique; a little hippie, a little artistic, a little blue-collar. And in Altadena, eight in 10 Black people are homeowners. That’s almost double the national rate.

Of the 28 people who have died in these fires, 17 of those people were from Altadena who stayed behind to protect their homes, their legacy, their hard-won generational wealth.

More than 7,000 homes were destroyed in the town of Altadena, California.
Photo: Myra Flynn
/
Vermont Public
More than 7,000 homes were destroyed in the town of Altadena, California.

It is as bad as what they keep showing on the news. And our guest for this episode, artist, activist and community organizer Shelley Bruce (@artistshelleybruce), says there are some concrete reasons why.

It’s a failure of leadership. And it’s not just a failure because we didn’t see something so terrible coming. It’s a failure because community organizers of this city and the residents of LA have been begging departments for years to stop prioritizing the wrong budgets. - Shelley Bruce

Show and Tell

So it's a painting of (the) meditative face of Assata Shakur, and I wanted to paint her in a peaceful state because she's one of our historic liberation movement fighters who has fought very hard and experienced a lot of trauma. So it's my visioning of her in a peaceful state. And all the words on this painting are one of her famous quotes that has also become a chant for Black Lives Matter. And it says: ‘It is our duty to fight for our freedom. It is our duty to win. We must love and protect one another. We have nothing to lose but our chains.’

Shelley - Show and Tell.mp4

“Given the crisis we're in, if anyone is interested in buying this beautiful piece of artwork because it's been on my wall for a while, it can be on yours. I'd love to donate anywhere from 50 to 75% of the proceeds to, directly to a family who's, suffered a loss in the Eaton Fire. I have prints as well.”

Credits

This episode was reported by executive producer Myra Flynn and was produced and directed by Mike Dunn with support from Kaylee Mumford. Dave Rice is the maintenance engineer and Brian Stevenson is the managing director of production. James Stewart is the associate producer. Myra Flynn composed our theme music and all other music is from Blue Dot Sessions. Elodie Reed is the graphic artist behind our Homegoings artist portrait. A special thanks to Jarrell Cudjoe at Loading Media L.A. and Brian Treitler at Trashie for lending their footage to the episode.

If you have been affected by the January 2025 fires and wind storm and or want to help, visit Mutual Aid L.A. to learn more.

We have more shorties and conversation coming in the weeks ahead so stay tuned!

To continue to be part of the Homegoings family:

Loading...

Myra Flynn joined Vermont Public in March 2021 and is the DEIB Advisor, Host and Executive Producer of Homegoings. Raised in Vermont, Myra Flynn is an accomplished musician who has come to know the lay of dirt-road land that much more intimately through touring both well-known and obscure stages all around the state and beyond. She also has experience as a teaching artist and wore many hats at the Burlington Free Press, including features reporter and correspondent, before her pursuits took her deep into the arts world. Prior to joining Vermont Public, Myra spent eight years in the Los Angeles music industry.