NPR Classical

Spring For Music: National Symphony Orchestra At Carnegie Hall

WQXR Radio | By Brian Wise

Published May 11, 2013 at 6:00 AM EDT

1 of 10 — Conductor Christoph Eschenbach and the National Symphony Orchestra gave the final performance in this year's Spring for Music Festival at Carnegie Hall on May 11, 2013. The program was of all 20th-century Russian music: Shchedrin's Slava, Slava; Schnittke's Viola Concerto; and Shostakovich's Fifth Symphony.

Conductor Christoph Eschenbach and the National Symphony Orchestra gave the final performance in this year's Spring for Music Festival at Carnegie Hall on May 11, 2013. The program was of all 20th-century Russian music: Shchedrin's Slava, Slava; Schnittke's Viola Concerto; and Shostakovich's Fifth Symphony.

2 of 10 — Conductor Christoph Eschenbach's baton case for the evening.

Conductor Christoph Eschenbach's baton case for the evening.

3 of 10 — The performance, which was presented as a tribute to the NSO's late leader, conductor and cellist Mstislav Rostropovich, opened with Rodion Shchedrin's Slava, Slava: an brilliant and clangorous 5-minute piece that features tubular bells.

The performance, which was presented as a tribute to the NSO's late leader, conductor and cellist Mstislav Rostropovich, opened with Rodion Shchedrin's Slava, Slava: an brilliant and clangorous 5-minute piece that features tubular bells.

4 of 10 — The superb, rising American violist David Aaron Carpenter made his Carnegie Hall debut this evening in Alfred Schnittke's Viola Concerto.

The superb, rising American violist David Aaron Carpenter made his Carnegie Hall debut this evening in Alfred Schnittke's Viola Concerto.

5 of 10 — Carpenter bore down deep into this technically and emotionally demanding work.

Carpenter bore down deep into this technically and emotionally demanding work.

6 of 10 — Schnittke wrote his viola concerto for Carpenter's teacher, Russian violist Yuri Bashmet — and Bashmet's name forms the melodic kernel for the entire 40-minute work.

Schnittke wrote his viola concerto for Carpenter's teacher, Russian violist Yuri Bashmet — and Bashmet's name forms the melodic kernel for the entire 40-minute work.

7 of 10 — Backstage, a helpful sign to guide the out-of-town musicians find their way through the warrens of Carnegie Hall.

Backstage, a helpful sign to guide the out-of-town musicians find their way through the warrens of Carnegie Hall.

8 of 10 — In an interview with WQXR, Christoph Eschenbach called Rostropovich "a great idol of mine since my youth," and explained how each of the three pieces on this Spring for Music program was meant to reflect a facet of Rostropovich's lifework.

In an interview with WQXR, Christoph Eschenbach called Rostropovich "a great idol of mine since my youth," and explained how each of the three pieces on this Spring for Music program was meant to reflect a facet of Rostropovich's lifework.

9 of 10 — Eschenbach took the final minutes of Shostakovich's Fifth Symphony far more slowly than most conductors — about twice as slow, by his own reckoning.

Eschenbach took the final minutes of Shostakovich's Fifth Symphony far more slowly than most conductors — about twice as slow, by his own reckoning.

10 of 10 — In acknowledging listeners' applause, Eschenbach and the NSO musicians returned the audience's warmth.

In acknowledging listeners' applause, Eschenbach and the NSO musicians returned the audience's warmth.

Program:

SHCHEDRIN: Slava, Slava

SCHNITTKE: Viola Concerto

SHOSTAKOVICH: Symphony No. 5

National Symphony Orchestra

Christoph Eschenbach, music director

David Aaron Carpenter, viola

When the National Symphony Orchestra closes out the third edition of the Spring for Music festival on Saturday night, it marks the return of an ensemble that is an all-too-rare guest in New York's concert halls; they last appeared at Carnegie Hall in 2006. But the orchestra will be making up for lost time, it seems, with an all-Russian program that gives a healthy nod to its past, paying tribute to former music director Mstislav Rostropovich.

Rostropovich, who died in 2007, was music director of the NSO from 1977 to 1994, and his image was inextricably tied to the ensemble for many years. In an interview with WQXR's Naomi Lewin, current NSO music director Christoph Eschenbach called Rostropovich "a great idol of mine since my youth," and explained how each of the three pieces on this Spring for Music captures an aspect of Rostropovich's reputation as an outspoken political exile as well as a conductor and cellist.

The program begins with Rodion Shchedrin's Slava, Slava, a brief and bright salute written in 1997 for Rostropovich's 70th birthday. Eschenbach called Shchedrin "an uncompromising person and composer and human being," adding, "Through all the difficult times in theSoviet Union, he never followed the rules of the government. He just follows the rules of what he has to say as a composer."

The program continues with the 1985 Viola Concerto by Alfred Schnittke, a composer who also had his battles with the Soviet regime and who wrote works of angular expressivity. This performance features the young Long Island-born violist David Aaron Carpenter, who has previously recorded the work with Eschenbach and the Philadelphia Orchestra.

Eschenbach described the 40-minute concerto as a work of sadness and dark premonitions. "It's about the state in which Russia was and also sad about having to leave," he said. "[Schnittke] explored all the possibilities of viola in this piece."

Dmitri Shostakovich's Fifth Symphony concludes the program, a work that Rostropovich conducted throughout his career as a close friend of the composer. Rostropovich was adamant that the work's rousing finale was deliberately dumb, a coded response to the Soviet government's strong-arm tactics: "The shrill repetition of the A at the end of the symphony is to me like a spear-point jabbing in the wounds of a person on the rack," he said in the liner notes to a 1983 recording with the NSO. "Any person who thinks the finale is glorification is an idiot — yes, it is a triumph of idiots."

Eschenbach will conduct the Rostropovich version of the symphony's end, which concludes in a slow and subdued fashion. "It's a very desperate ending," said Eschenbach.